YAMAHA TF SERIES:
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Yamaha has
always made it a mission to stay in touch with the needs of sound engineers
worldwide. The outcome is evident in the success of the recent CL and
QL series digital mixing consoles, and the flagship RIVAGE PM10. The key
to success has always been in supporting the user’s creativity.
Creativity is most effective when unrestricted, and now Yamaha has created
a new digital mixing console that gives the user's intuition even freer
rein.TouchFlow Operation™ introduced in the TF series consoles allows
the user to respond to the music and artists on stage with unprecedented
speed and freedom, taking live sound reinforcement to a new level of refinement.
With the TouchFlow Operation interface optimized for touch panel control,
experienced engineers as well as newcomers to the field will find it easier
than ever to achieve the ideal mix. |
Please contact us with any questions you have. Thank You! |
Recallable D-PRE™ preamplifiers
support sound quality that will satisfy the most discerning professional
ears, while advanced live recording features and seamless operation with
high-performance I/O racks give these compact digital mixers capabilities
that make them outstanding choices for a wide range of applications. Experience
the intuitive control and creative freedom that a truly evolved digital
console can provide. |
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YAMAHA
TF SERIES - FEATURES: |
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TouchFlow Operation™ – Smooth, Natural Control
Flow
Yamaha digital consoles have always been designed with input from leading
engineers worldwide to ensure that the most efficient, intuitive operation
is achieved. The highly regarded Selected Channel and Centralogic™
interfaces attest to the success of that approach. The TF series combines
Yamaha know-how with new input from the field and the latest touch-screen
technology to deliver an evolved experience in console operation. Smooth
setup and operation, practical presets and scenes, refined design, and
software applications that integrate seamlessly with the entire system:
these elements comprise TouchFlow Operation, a new concept in console
interfaces that offers unprecedented comfort and convenience in small
consoles, for a wide range of users and applications.
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In developing the TF series Yamaha
engineers built from their existing base of acclaimed high-end mixer interfaces,
adding intuitive control in an interface optimized for the type of touch
panel control that has become a familiar feature in a wide range of applications.
Allowing most operations to be carried out via the touch panel alone,
the innovative TF series interface will quickly become second nature to
a broad spectrum of users. Whether you have experience with Yamaha digital
consoles, work with other digital consoles, operate analog consoles, or
have never operated a mixer before, TF consoles will lead you to the desired
results quickly and effortlessly through a smooth, efficient workflow.
The availability of physical controls surrounding the touch panel further
enhances control versatility and precision. |
Touch Operation for Intimate Control
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Refined for the smoothest possible operation via
touch-panel control, the TF user interface offers a smooth workflow that
can be an advantage in any mixing situation. The display content has been
specifically designed for easy, direct accessibility, with a layout that
promotes the most natural, efficient mixing. Touch panel operation is
as easy as shaping the sound with your fingertips. |
Touch & Turn Knobs
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When you need
extra precision for a fine EQ or other adjustment, the physical Touch
& Turn knob is always available right beside the touch panel. There
are also four User Defined Knobs below the panel that can be assigned
to control compressor threshold, EQ gain, or other parameters you need
fast, direct access to while mixing. The knobs always affect the currently
selected channel. |
Traditional Overview and Selected Channel
Interfaces
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Like the CL series
consoles, operation is based around Overview and Selected Channel windows.
The overview display shows the parameters for eight channels at a time,
while the Touch & Turn knob provides direct access to gain, 1-knob
EQ™, 1-knob COMP™, gate threshold, effect send level, pan,
and other parameters. Touch the highlighted parameter a second time to
switch to the Selected Channel display when you need access to detailed
parameters for finer control. |
Educational
Tutorial Videos: |
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Effective gain, compressor, and EQ
setup requires a considerable degree of skill and experience. Even veteran
engineers need to spend time on these important basic settings. In addition
to their intuitive user interfaces, TF consoles include a number of features
that contribute to faster, smoother setup of these essential parameters. |
1-Knob Comp and 1-Knob EQ : One Knob to
Dial in the Ideal Sound
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An experienced
engineer can do a lot with a compressor: bring a guitar to life, add punch
to bass, tighten up a snare, and make vocals ride clearly on the mix.
The 1-knob COMP can do all of this quickly and easily, without the need
to juggle multiple parameters to achieve the desired effect. Originally
introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular
and valued feature. It has now been further refined in a digital version
that adds new setup ease and efficiency to the TF consoles.The same concept
has been applied in a new 1-knob EQ feature that provides notably improved
speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned
by Yamaha R&D staff in cooperation with distinguished sound engineers,
to ensure that you can achieve outstanding results with minimum effort
in the shortest possible time. A Vocal Mode makes it easier than ever
to achieve a clear, well defined vocal sound, while an Intensity Mode
offers 1-knob “intensity” control over EQ curves you either
select from the presets or create from scratch.But there’s more:
the 1-knob COMP and 1-knob EQ are provided on the output channels too,
so you can quickly achieve overall output compression or EQ that ideally
matches the room and audience size. The output 1-knob EQ has a Loudness
Mode in place of the Vocal Mode, effectively increasing the sound pressure
level while maintaining optimum sound as you rotate the knob.Both the
1-knob COMP and 1-knob EQ provide quick access to the full compressor
and EQ displays, so you can fine tune settings as required. |
GainFinder Supports Precision Gain Setup
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Gain is the first
adjustment the input signal sees, and the way it is set up influences
how subsequent parameters will affect the signal. Yamaha has developed
a way to make fast, accurate setup of this important basic parameter easier
than ever. The new GainFinder feature facilitates optimum gain setup for
individual input signals so that ideal overall operation and signal quality
is achieved. The user only has to set channel gain so that the central
green indicator in the level meter remains lit for the longest possible
time. Of course the level meters also perform their traditional function,
so standard gain setup procedure can be followed if preferred. |
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The familiar Yamaha scene memory
that stores mix settings for instant recall when needed is included as
always. There’s also a range of channel presets that have been created
in cooperation with leading microphone manufacturers and eminent sound
engineers, providing starting points that take you a long way towards
achieving great sound.The channel presets cover parameters such as HA
gain, EQ, dynamics, and much more, right down to details like channel
name and color. Less time needs to be spent on basic setup so that more
time is available for refining the mix and communicating with the performers. |
QuickPro Presets Provide Instant Access
to Pro Sound Setups
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Working with
microphone manufacturers such as Audio-Technica, Sennheiser and Shure
as well as respected engineers, and evaluating a large number of microphones,
musical instruments, speaker systems, and in-ear monitors, the Yamaha
R&D team focused on creating a range of shortcuts to great sound that
would be effective in a wide variety of live-sound situations. Armed with
these practical presets even the novice engineer can get very close to
the ideal sound, while experienced engineers will appreciate the significant
time savings they can provide starting points for further adjustments.The
QuickPro Presets can be searched by instrument type and recalled quickly
and easily. The presets include HA gain, EQ, Comp and other settings,
right down to the channel name and color. The 1-knob EQ and 1-knob COMP
can be used with QuickPro Presets, providing a super streamlined way to
tweak the sound. |
The output channel
preset library includes parameter sets optimized for Yamaha powered speakers,
with several variations to match different environments and room sizes.
Presets are provided for in-ear monitors too. All of these can be used as
is when time is tight, but they are also great starting points for manual
fine tuning. Setups created from the presets or from scratch can be saved
as additional presets too. |
Comment from Audio-Technica Corporation
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“Each Audio-Technica
microphone is painstakingly designed to give a truly accurate reproduction
within the application it has been selected for. We strive to provide
the best possible tools allowing the user to realise the expression of
their work. Collaborating closely with the TF engineers on the instrument
specific presets means that we can be sure our microphones deliver their
best performance, while leaving the user free to focus on the creativity
and character of the production.” |
Comment from Sennheiser
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“The presets
in the Yamaha TF series digital mixers provide users with an accurate
indication of how to set the EQ for a wide variety of instrument/microphone
combinations. These preset functions give the sound technician a solid
basis to start from. All that is needed is to adapt the EQ-ing to the
specific room and the instruments.” |
Comment from Shure
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“We’re
thrilled to be offering QuickPro presets of our most popular SM, Beta,
KSM and PG Alta microphones in the new TF mixer. When you combine Shure’s
90 years of microphone experience with the versatile new TF digital mixer
and exceptional Yamaha speakers, these presets allow engineers at any
level of experience to leverage our combined technical expertise for quick,
simple and effective sound checks and performances that sound amazing.
Engineers can focus on mixing great quality audio instead of chasing problems.
It’s an incredibly powerful solution.” |
Two Scene Memory Banks
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The scene memory
features banks A and B, each capable of holding up to 100 scenes.That’s
a total of 200 scenes that can be set up and instantly recalled whenever
needed.A number of scenes are pre-programmed to give users a head start:
scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest
possible operation, and scenes with the 1-knob features disabled for experienced
engineers who might want to follow an established procedure. The banks
are great for organizing different types of scenes: one for scenes categorized
by music type, and the other by event type, for example. |
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The TF series hardware is packed
with features that contribute to superior operability and convenience.
Faders, knobs, and buttons with outstanding fit and feel work seamlessly
with state-of-the-art display technology, including high-visibility channel
name and color displays. The touch panel itself offers an ideal blend
of comprehensive visual feedback and fast response.The physical layout
of these components brings everything together in a system that offers
surprisingly efficient workflow. |
Panel Layout Maximizes Workflow Efficiency
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Careful analysis
of the workflows favored by a large number of engineers has led to a highly
efficient panel layout. Rather than simply providing a long list of advanced
features, the TF consoles present meaningful features in the most logical
and accessible way through an overall design that maximizes visibility
and operability. |
Comprehensive Fader Bank Section
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Two INPUT banks
and one OUTPUT bank are provided, and the GROUP bank can be selected by
pressing both the INPUT bank buttons simultaneously. The GROUP bank allows
the levels of multiple channels to be controlled from a single DCA fader.
There’s also a CUSTOM fader bank where you can assign any input,
output, and DCA group to any fader. |
DCA Roll-Out Enhances Group Control
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When the GROUP
fader bank is selected, all faders other than DCA masters 1 through 8
function as Roll-out faders. Selecting one of the DCA groups instantly
“rolls out” the input channels belonging to that group to
the Roll-out faders. This useful function makes it easy to adjust the
level and other parameters of individual channels while using the eight
DCA faders for overall mixing. |
Channel Name and Color
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A display panel
located above each channel fader shows the assigned channel name or ID,
the port name, and the current fader setting. Phantom power status as
well as gate and comp operation can also be displayed. A color bar that
shows the assigned channel color makes visual navigation a breeze, and
prevents confusion when fader banks are changed or scenes are recalled. |
Faders Provide a Clear View of All Inputs
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The TF5 has 33
motor faders, the TF3 has 25, and the TF1 has 17.All rear-panel inputs
have individual faders so their status can be verified at a glance and
they can be directly and immediately accessed for control. |
Sends on Fader Section
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The SENDS ON
FADER buttons instantly bring the specified AUX or FX bus levels up on
the faders for easy verification and adjustment. When a SENDS ON FADER
button is engaged the MASTER fader acts as the master for the corresponding
bus, so AUX levels can be checked and controlled without having to switch
fader banks. |
Advance Design Promotes Smooth, Comfortable
Operation
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The upper section
of the panel is designed to double as a rest for an iPad, set list, score,
memos, and/or other small items. The panel consists of three angled sections
that give the operator maximum visibility and access. |
Other Features of Efficient Workflow
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- USER DEFINED KNOBS section: Frequently used parameters such as compressor
threshold and EQ gain, for example, can be assigned for direct, instant
access when needed.
- USER DEFINED KEYS section: Assign mixer settings that you use often
to these six buttons for instant access, such as direct one-touch recall
of specified scenes.
- MUTE section: Multiple inputs or effects can be muted with a single
operation.
- FX section: A dedicated channel offers easy effect ON/OFF switching,
cue monitor ON/OFF switching, level adjustment, and effect parameter
editing.
- ST IN section: In addition to allowing digital playback from an iPad
or iPhone or recording/playback with a USB device, you have fingertip
control of BGM playback and other audio files.
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Separate software applications that
allow wireless mixing, personal monitor mixing, or offline setup of digital
live mixing consoles have become fairly common.The TF series goes a step
further with three dedicated apps – TF Editor, TF StageMix, and
MonitorMix – that feature user interfaces that seamlessly extend
the console’s own on any device. |
TF Editor Facilitates Offline Editing
Plus Showtime Control
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The TF Editor
application for Windows and Mac computers provides a complete interface
for offline editing and setup of TF consoles, with scene and preset management
capabilities plus convenient keyboard entry of channel names.In addition
to being able to set up the console offline at any convenient location
and time, the TF Editor can be used online at the same time as the TF
StageMix and MonitorMix applications. A Windows 8 PC with a multi-touch
screen can use the same gestures as on the console itself. And if using
Wi-Fi, a PC can function as a convenient remote-mixing device. Up to three
devices running TF Editor or StageMix can be connected at the same time.
*TF Editor (Mac version) and MonitorMix will be available in the summer
of 2015. |
TF StageMix fpr Wireless Mixing
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TF StageMix is
an iPad application that provides wireless control of TF series consoles,
allowing remote mixing from audience seating, in front of floor monitors,
or any other listening position. It can also be used at the console as
an extension of the console’s own interface. The TF StageMix interface
is designed for similar operation and flow to the console display, making
it easier than ever to refine the mix from any location.
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Personal Monitoring with MonitorMix
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The MonitorMix
application for the TF Series allows individual wireless AUX mixing from
up to 10 iPhone, iPad or iPod touch devices simultaneously. Each performer
can have convenient control over the AUX buses assigned to them, without
having to deal with complex settings or parameters. They can also create
personal Group settings for even easier adjustment: all levels on just
one fader, for example. Since up to three devices running TF Editor or
StageMix and up to 10 devices running MonitorMix can be connected at the
same time, even large bands can have the personal control they need, reducing
demands on the sound engineer.
*TF Editor (Mac version) and MonitorMix will be available in the summer
of 2015. |
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Faithful reproduction of the on-stage
sound is the foundation, then creativity can take over.Yamaha’s
unswerving approach to live sound reinforcement is alive and well in the
TF series.The input stage of any console has a notable effect on its sonic
character.The TF consoles feature acclaimed D-PRE™ microphone preamplifiers
that not only deliver outstanding quality, but are recallable as well.
Circuitry and individual components have been reassessed and redesigned
where necessary to achieve extraordinarily pure, natural sound. That solid
sonic foundation is backed up by an updated selection of high-performance
processors and effects. Input and output channel processors such as EQ,
gates, and compressors are complemented by eight processors that provide
a broad spectrum of creative capabilities. |
Recallable D-PRE Microphone Preamplifiers
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The TF series
consoles feature new recallable versions of Yamaha’s acclaimed D-PRE
microphone preamplifier. The preamplifiers, or head amplifiers in any
console play a significant role in defining the sound of the final mix,
so Yamaha engineers spared no effort in developing and refining the D-PRE
design to ensure that every nuance and subtlety of the original signal
is effectively captured. The circuit is based on a discrete inverted Darlington
pair configuration that achieves clean, precise amplification with consistently
low noise and distortion at all signal levels. While some microphone preamps
are built specifically to impart a unique character of their own, the
D-PRE preamplifier has been painstakingly designed with a flat, wide frequency
response that retains the tone and nuance of the original sound so that
the essence of the performer’s art is captured intact.
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8 Powerful Effects Processors and More....
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In addition to
EQ and two dynamics processors on each channel, the TF consoles offer
eight powerful processors for wide-ranging sonic control. The globally
accessible FX 1 and 2 feature the same type of SPX processors that have
become standards in recording and live sound applications, offering 17
programs ranging from reverb and delay through modulation effects such
as flanger and chorus to 3-band multiband compression. The panel EDIT
key opens the effect parameter display where detailed parameters such
as reverb time and delay feedback can be adjusted as required.The remaining
six processors are available in the AUX 9/10~19/20 master channels.All
effects other than reverb are provided.* Multiband compression is ideal
for in-ear monitor level control, delay can be used for speaker alignment,
and much more. And since these AUX buses can be sent to the main stereo
bus, the effects can be used to supplement the available input channel
processing when FX 1 and 2 aren’t quite enough.The AUX 1~8 buses
and main output channels include the same 4-band parametric EQ as provided
on the input channels, plus 31-band Flex12 GEQ. Both types of EQ are invaluable
for optimizing speaker response and eliminating feedback.* Reverb is available
for AUX 9/10 and 11/12. |
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Live recording capability is becoming
increasingly important in live sound systems. From simple 2-track recording
using a USB storage device* to all-out multitrack recording with a computer
based DAW (Digital Audio Workstation), the TF series is ready to roll.
TF consoles come supplied with Steinberg’s Cubase AI DAW application,
providing an easy way to simultaneously record up to 16 tracks to a computer
connected to the console via USB 2.0.For more complex recording requirements
an optional DAW such as Steinberg’s Nuendo Live application allows
up to 34 tracks to be recorded simultaneously.MP3 and WAV files can be
played back from USB storage devices, and audio from an iPhone or iPad
can be played back via a direct digital connection.When playing back from
a DAW, analog input or DAW input can be individually selected for each
channel so that pre-recorded material can be mixed with live input for
virtual sound checks or rehearsals.Of course BGM and sound effects can
be played back too.
*Please note - USB thumb drives are not supported by TF for recording
purposes. Please refer to this
link for compatible hard drives. |
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The natural, musical sound that was
a key element of the TF Series design policy is carried on without compromise
in the Tio1608-D I/O Rack (details on following page). Mechanical construction,
circuit board layout, power supply, grounding, and parts selection have
all been executed with meticulous attention to detail and quality, and
exhaustive performance and listening tests were carried out at each stage
of development. For networking the same Dante protocol implemented in
higher end Yamaha digital consoles is used for precise synchronization,
low latency, low jitter, and high sample accuracy.In addition to superior
performance, a Tio1608-D stage box system can be set up in just three
easy steps.
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Tio 1608-D I/O Rack
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The Tio1608-D
is a Dante equipped I/O rack with 16 microphone/line inputs and 8 line
outputs. The Tio1608-D preamplifiers can be remotely controlled from a
TF series console. Connection from an on-stage Tio1608-D to a TF console
at the mixing position only requires a CAT5e LAN cable for high-quality
low-latency audio transfer. No bulky, heavy multi-cables and connector
boxes are required. What’s more, basic patches are pre-programmed
for fast, easy setup. Up to three Tio1608-D units can be connected simultaneously,
providing a high-performance, high capacity stage box system with as many
as 48 inputs and 24 outputs. The network connections can be daisy-chained
when Tio1608-D units are used with a TF series console, eliminating the
need for network switches.
*Tio1608-D is scheduled to begin shipping in Spring 2016. |
NY64-D Audio Interface Card
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The NY64-D is
an I/O expansion card for TF series consoles that allows transmission
and reception of up to 128 channels (64 in/64 out) of uncompressed 48
kHz 24 bit digital audio data via a Dante™ audio network.Used in
conjunction with the Tio1608-D I/O it becomes possible to create a versatile
stage box system with up to 48 inputs and 24 outputs.
*NY64-D is scheduled to begin shipping in Spring 2016. |
TF1 ONLY : Rackmountable with Optional
RK5014
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The RK5014 Rack
Mount Kit (14U) can be used to mount the TF1 console in a standard 19-inch
EIA equipment rack of the type commonly used in live sound, studio, and
installed applications.
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